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And that dose of reality is where His House proves inventive. Elaborating on the source of all this spookiness wouldn’t be entirely fair to the movie. Suffice it to say that the title eventually beckons the question of whose house we’re in, exactly. The movie’s answer to this is not quite what you’d expect.
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This is the first time that they saw Nyagak, a young girl shouting for her mother. ” Rial rebukes Bol at one point, reminding him of her knowledge of the spiritual realm and forcing him to confront the fact that their most dangerous demons lurk within. It’s an apt line, but it also points up some of the limitations of “His House” itself. That surface-level frights can signify something deeper, can reflect a society or an individual’s hidden trauma and pain, is a notion as old as the horror genre itself. But those frights can sometimes feel like a distraction, a display of showmanship that doesn’t feel deeply rooted in the characters’ psychological torment.
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We catch a security guard following Bol in that store, a callous reminder of Rial telling her husband that full acceptance will never be possible. She sees this when some Black British teens who scream for her to “go back to Africa” after she asks them for help. The boys prove that old adage that not all skinfolk is kinfolk. Jokic is the certainly boss on the court for the Nuggets, averaging 26.4 points, 12.4 rebounds and nine assists this season.
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This is not to say director-writer-producer Uberto Pasolini has made some sort of cloying and maudlin attempt to win our sympathy. Mark is skeptical of the request given that their home is bigger than his. Noting Bol’s wounded hand and disheveled appearance, he says they will need to conduct an investigation. Because Mark believes in Bol, he says he is willing to issue only a warning so long as things are straightened out.
They find all the holes in the wall patched and the home nicely (though sparsely) decorated. Though the inspectors are annoyed, they will seemingly allow Rial and Bol to stay. Out of his colleagues’ earshot, Mark asks Rial what happened.
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Bol collects all of the clothes and goods they brought from Africa and lights them on fire. He sees the necklace Rial made out of Nyagak’s beads and rips it off her neck. When Bol returns home, he apologizes for his absence. He finds Rial has made a traditional meal and set it out on a rug (as they used to eat in Africa). Bol forces them to use silverware rather than using their hands (their traditional way of eating) and also says they must start eating at the table so that they can fit in. Rial tells him a folktale of a man who so desperately wanted a house, he stole from others in order to get it.
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The couple get on the bus and escape, leaving Nyagak's real mother behind as gunfire erupts. Later, when crossing the rough sea, Nyagak and others fall overboard. Having accepted what they did, Bol decides to repay the debt to the apeth and tells Rial. Bol starts to let the apeth into his skin and Nyagak enters the room and returns to Rial. Rial chooses to save Bol instead of accepting this alternative reality, by slitting the apeth's throat. His House is a 2020 horror thriller film written and directed by Remi Weekes from a story by Felicity Evans and Toby Venables.
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It doesn’t play coy with the details because it never questions whether everything is in Bol’s mind—Rial can also see and hear what they refer to the “sea witch” living with them. Weekes subverts our plot expectations for the genre in a scene where Mark visits their home after Bol pays a troubling visit to his office. Seeing the house in massive disrepair due to Bol attacking its walls with a hammer the night before, Mark demands an explanation. Normally, characters in horror movies would try to downplay or deny that which is causing their madness. Instead, Rial nonchalantly tells Mark that there’s a witch in the house. Remi Weekes debut movie, His House, has taken Netflix by storm.
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Bol desperately wants to assimilate into British society, but Rial hasn’t yet been able to give up on her life back home. And when they are finally let go as asylum seekers, not as citizens, they are told that they must adhere to certain rules. The house they are given is in a terrible condition, and their caseworker Mark (Matt Smith) lists even more rules that they have to follow. Despite all this, Bol and Rial are optimistic and begin hoping to start living their lives normally again. Nyagak’s death looms like an ominous shadow over their plans. The film opens with Bol (Sope Dirisu) making his way across a desert with Nyagak (Malaika Wakoli-Abigaba) in his arms.
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Called the “apeth” among the Dinka people, it is a night witch that comes after anyone who it thinks has stolen something precious from it. The way Rial tells the story and how it makes Bol uncomfortable indicate that Bol has done something that has drawn the wrath of the creature. Despite the unwelcoming environment, the couple cheerfully attempt to fit in and fix up their accommodations.
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